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From left, Michael Ian Black, David Wain and Michael Showalter in the sketch comedy "Stella."
(Scott Pasfield)
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"STELLA!"
The
name doesn't mean anything, but you can scream it with an anguished
cry, à la Stanley Kowalski in "A Streetcar Named Desire," and feel part
of American cultural history. It's a bit early to make any predictions about whether
"Stella," a new half-hour sketch comedy, will land in the pop-culture
canon. But the show is promising. It launches at 11:30 p.m. Tuesday on
Comedy Central. Launched from the long-running stage revue, "Stella" is a
three-dimensional cartoon - make that a trio of vaudevillians in
business suits - playacting their way from downtown Manhattan
nightclubs to a less raunchy berth on cable television. The comedy is more collaborative than stand-up. Their presentation integrates film techniques and time-tested improv.
Performance
art blends with filmed adventures, adolescent gags and clever parodies
in Stella's inventive melange, which beats the usual late-night joke
telling in a faux club setting that's so familiar on cable TV. And there's no minimum.
Absurdist is the only way
to describe it, a three-man Monty Python for the new millennium,
complete with video trickery. At times, it seems the three are
distinct, warring facets of a single stunted, prepubescent male
personality. Other times, not so much. "Stella" boasts three former members of MTV's cult favorite "The State," Michael Showalter, David Wain and Michael Ian Black.
Wain
and Showalter co-wrote the summer camp sendup "Wet Hot American
Summer." They were part of VH-1's "I Love the '70s" and "I Love the
'80s." You may recognize Black from NBC's late dramedy "Ed." Black
created "Viva Variety" for Comedy Central and was the voice of the
pets.com sock puppet. The TV version of Stella allows them to write, produce and
perform favorite bits from over the years with enough quick editing
(ie. fake footage of the business-suited trio skate boarding) to keep
it visually engaging. Always in character, the three dance very badly, make faces
at the camera, pose in an idiotic "tableau," mix a "Flashdance" parody
with the impossible physics of old Warner Bros. cartoons and send up an
apartment co-op election and "The Manchurian Candidate." The pranks and non sequiturs come together around a nominal
storyline, such as the mundane travails of three imbecile roommates
being evicted from an apartment and renting it again. Had the Marx Brothers stayed an alternative, underground comedy act
rather than finding fame in Hollywood, they might have been reborn as Stella.
Stella
began in 1997 as a Greenwich Village nightclub revue with guest
appearances by Janeane Garofalo, Ben Stiller and David Cross ("Arrested
Development"), as well as the New York sketch comedy and improv troupe,
"The Upright Citizen's Brigade," which similarly specializes in rather
deranged sketch comedy. It's not as in-your-face rude as the average stand-up
routine. In one sketch, the guys tell the landlord the apartment keys
are under the mat. Where's the mat? At the cleaners. The landlord
retrieves the mat, puts it in front of the door, lifts up a corner and
there's the key! It's cartoon jokey, prolonged and inane, but funny as
a sort of old-school clowning calisthenic. They reinvent some of animation's old standards
with a deconstruction that makes their shtick feel "alternative."
The antics elude description. Check out video bits streamed at the group's website: stella
comedy.com.
Comedy
Central advertises "Stella" as "dumb comedy dressed in a suit," but
that undersells the group. They're only as dumb as they want to be.
These boys dressed as men know what they're doing, whether it's
barking, hopping or performing surgery with flashlights tied to their
heads. The references range from funk rock to Nazi hunting. Their madcap alt-comedy is a liberating look at what comedy
can be at a time when rigor mortis is setting in on the traditional,
narrative TV sitcom. The members of "Stella" have written and performed comedy for
some 16 years, since meeting at New York University and bonding to help
create The State. They haven't gotten too slick, they haven't gotten
too sick. In fact, they're just about sick enough. TV critic Joanne Ostrow can be reached at 303-820-1830 or jostrow@denverpost.com.
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